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Jens Andermann teaches at New York University. He writes about modern Latin American arts, film, literature, architecture and material culture, and their intersections with extractivism and the legacies of coloniality. He is an editor of the Journal of Latin American Cultural Studies and (with Gabriel Giorgi and Victoria Saramago) of the book series SubAtlantic: Latin American, Caribbean, and Luso-African Ecologies. He is the author of Mundo inmundo: cine, desastre y sobrevida (Buenos Aires: Las Cuarenta, 2025), Jardín (Santiago de Chile: Bifurcaciones, 2023), Entranced Earth: Art, Extractivism, and the End of Landscape (Evanston, IL: Northwestern University Press, 2023), Tierras en trance: arte y naturaleza después del paisaje (Santiago de Chile 2018), New Argentine Cinema (London 2011, Buenos Aires 2015), The Optic of the State. Visuality and Power in Argentina and Brazil (Pittsburgh 2007, Rio de Janeiro 2014), and Mapas de poder. Una arqueología literaria del espacio argentino (Rosario 2000), as well as edited collections on environmental aesthetics in the present, memory and the museum in the Latin American postdictatorships, contemporary Latin American cinemas, and on exhibitions and museums, material and visual cultures in Latin America. An early contributor to the digital humanities, he has designed and curated online exhibitions at the Iberoamerican Museum of Visual Culture on the Web, including Relics and Selves: Iconographies of the National in Argentina, Brazil and Chile. Before joining NYU, he has held appointments and visiting professorships at the Universities of Buenos Aires, Rio de Janeiro, London, Zurich, Basel, Duke, Princeton, Columbia and Berlin. His work has appeared in numerous edited collections and journals, including Memory Studies, Cinema Journal, Artelogie, Revista Iberoamericana, Journal of Material Culture, and Theory, Culture and Society, among others.
Jens Andermann enseña en la Universidad de Nueva York. Escribe sobre arte, cine, literatura, arquitectura y cultura material an América Latina y sus intersecciones con el extractivismo y los legados de la colonialidad. Es editor del Journal of Latin American Cultural Studies y de la serie de libros (con Gabriel Giorgi y Victoria Saramago) SubAtlantic: Latin American, Caribbean, and Luso-African Ecologies. Es autor de Mundo inmundo: cine, desastre y sobrevida (Buenos Aires: Las Cuarenta, 2025), Jardín (Santiago de Chile: Bifurcaciones, 2023), Entranced Earth: Art, Extractivism, and the End of Landscape (Evanston, IL: Northwestern University Press, 2023), Tierras en trance: arte y naturaleza después del paisaje (Santiago de Chile 2018), New Argentine Cinema (London 2011, Buenos Aires 2015), The Optic of the State. Visuality and Power in Argentina and Brazil (Pittsburgh 2007, Rio de Janeiro 2014), y Mapas de poder. Una arqueología literaria del espacio argentino (Rosario 2000). Es editor de colecciones sobre estética ambiental, memoria y museo en la posdictadura, cine latinoamericano contemporáneo, y sobre culturas materiales y visuales en América Latina. America. Ha diseñado y curado exposiciones en línea en el Museo Iberoamericano de Cultura Visual en la Web, incluyendo Relics and Selves: Iconographies of the National in Argentina, Brazil and Chile. Antes de incorporarse a NYU, ocupó cargos y cátedras visitantes en las Universidades de Buenos Aires, Río de Janeiro, Londres, Zurich, Basilea, Duke, Princeton, Columbia y Berlín. Su trabajo ha aparecido en numerosas colecciones y revistas, entre ellas Memory Studies, Cinema Journal, Artelogie, Revista Iberoamericana, Journal of Material Culture y Theory, Culture and Society.
Jens Andermann 