Evanston, IL: Northwestern University Press, 2023 (FlashPoints)

“Jens Andermann’s Entranced Earth: Art, Extractivism, and the End of Landscape is a vertiginous study of how twentieth and twenty-first century Latin American artists, architects, writers, and filmmakers respond to ecological exhaustion. Andermann calls our transformed planet the inmundo, a word that in Spanish translates to filthy or foul but also contains within it the word for world: mundo. The inmundo refers to the foul unworlding of the world brought about by extractive colonial capitalism … [The book] is an effervescent work that, like trance itself, spills over in blissful excess, taking readers down countless paths traced by Latin American environmental aesthetics: from extractivism to the garden, and from ecoacoustics to memory beyond the human.”
Carolyn Fornoff, Comparative Literature Studies
Reviews
Amanda M. Smith, Arizona Journal of Hispanic Cultural Studies
Sophie Halart, Journal of Latin American and Latinx Visual Culture
Carolyn Fornoff, Comparative Literature Studies
Erika Teichert, Postmodern Culture
Charlotte Rogers, Hispanic Review
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